claudehavemercy.net

The event

The story of AI is older than you think.

Claude Have Mercy! is a live event about AI and jobs. It tells the long story of our work and the tools we’ve built to do it, then asks what that story means for us now.

Engraving of an early wooden printing press
Every information technology changed who did the work. The printing press was no exception.

The big idea

Tools that save us, and tools that cost us.

The flint, the plough, the horse, the typewriter. Our tools have always filled in something we lack, and that’s no bad thing. Nobody misses dull, dirty or dangerous work.

But we’ve also long dreamed of tools that would redeem us, saving us from our own failings. That’s why so much of AI’s history is tangled up with war, trauma and anxiety about human frailty. After the first atomic test, Vannevar Bush imagined a memory machine that might help end war. Two decades later, Douglas Engelbart demonstrated a system for “augmenting human intellect”. When Marvin Minsky promised to make machines intelligent, Engelbart asked a better question: what are you going to do for the people?

From Faustus, who summoned a demon because learning was taking too long, to today’s tech leaders talking openly about building gods, the event traces a very old desire and asks the question that always gets missed: who pays the price?

The journey

Five stops on the way to now

Ancient clay tablet covered in cuneiform script

c. 3000 BCE

Clay

Writing: the first technology for storing what we know outside our heads.

Engraving of an early wooden printing press

c. 1440

The press

Knowledge at scale, along with new jobs, lost jobs and plenty of moral panic.

Two miners underground with an early mechanical coal cutter, 1905

1905

The pit

New machines, new dangers. Every technology has a social side.

The Trinity test tower in the New Mexico desert, 1945

1945

Trinity

After the bomb, a dream of machines that might help us remember and stop war.

Hands on an early computer keyboard and chorded keyset from Douglas Engelbart’s 1968 demo

1968

The demo

Engelbart shows off the mouse, hypertext and a question for people, not machines.

What audiences leave with

Perspective, not panic.

The long view

Why today’s AI feels so new, and why it’s actually rooted in some very ancient desires.

A sharper vocabulary

The words and ideas to question AI claims rather than simply swallowing or dismissing them.

Honest talk on jobs

What the research really says about work, from the Institute for the Future of Work.

Something to do

Practical steps for students, staff, organisations and anyone wondering what to do next.

Formats

One story, four ways to tell it

Every session is tailored to the room, from Year 7 to the boardroom to the back of the pub.

30 min

School assembly

A lively whole-year or whole-school talk, followed by questions from students.

Ideal for: Year groups, sixth form, whole-school assemblies

1–2 hours

PSHE session & workshop

A talk plus hands-on discussion that gets students thinking about their own time, skills and future.

Ideal for: PSHE, careers and enrichment days

30 min

Conference keynote

A story-led keynote with the option of a Q&A or an on-stage conversation.

Ideal for: Festivals, conferences, away-days

2 hours

An evening of Claude Have Mercy!

The full, relaxed, bar-based session. Talk, conversation and plenty of audience questions.

Ideal for: Hosts bringing the event to their city

Good questions

Frequently asked

No. It’s informed, not alarmist. Kester works on how new technology is changing work and wellbeing, and the session is honest about both the promise and the costs. People leave better able to think for themselves.

Not at all. It’s pitched so that a Year 8 student and a CTO can both get something out of it. No jargon, and no slides full of code.

A screen or projector with HDMI, and a microphone for larger rooms. For evening events, a venue with space for people to sit, drink and talk.

Yes. Every booking starts with a short conversation about your audience, what they’re worried about and what you’d like them to leave with.

Kester is based in London and travels across the UK.

Fees depend on the format, audience and location. Send an enquiry and you’ll get a clear quote.

Book Kester

Ready to bring the story to your audience?

Tell us who they are and what they’re asking about AI, and we’ll find the right format.

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